Fender Twin Reverb Collection
The Fender Twin Reverb. Legendary tube tone
Legendary tube tone with an unmistakable vintage vibe. Fender manufactured the Blackface Twin Reverb amp from 1963 to 1967. From its venerable 85-watt AB763 quad-6L6 circuit to its inimitable spring reverb and tremolo, Jensen speakers, and tilt-back legs, the Fender Twin Reverb is every inch a classic, veritable cornerstone of modern American music.
Possibly the perfect pedal platform
With four Groove Tube 6L6 power tubes in the engine room, the Fender Twin Reverb supplies copious clean headroom, delivering a hefty 85 watts into 4 ohms. Indeed, the Twin is considered by many to be the ultimate pedal platform. With the Twin Reverb reissue, you can use your pedalboard to sculpt your tone — precisely, predictably, and at any volume.
The avatar of clean
The Twin Reverb has earned a reputation through the decades as the hardest working amp in show business. From its introduction in 1963, it has appeared on countless iconic recordings. By way of endorsement, tone purist Eric Johnson relies on his vintage '68 Silverface Twin (which still incorporated Blackface circuitry) for his clean rhythm guitar sound (switching to a vintage Plexi for dirty rhythm and leads). Over half a century later, the Fender Twin Reverb is still going strong.
We capture these profiles in Studio A’s Vocal booth. With a mix of Microphones from Neumann U87, AKG 414 Gold face, Unidyne SM57, Shure SM57, Royer r121, Sennheiser 421 and 609, and more. Going into Neve 1073 & 8108, GML 2032, API 512 Preamps!
The Fender Twin Reverb. Legendary tube tone
Legendary tube tone with an unmistakable vintage vibe. Fender manufactured the Blackface Twin Reverb amp from 1963 to 1967. From its venerable 85-watt AB763 quad-6L6 circuit to its inimitable spring reverb and tremolo, Jensen speakers, and tilt-back legs, the Fender Twin Reverb is every inch a classic, veritable cornerstone of modern American music.
Possibly the perfect pedal platform
With four Groove Tube 6L6 power tubes in the engine room, the Fender Twin Reverb supplies copious clean headroom, delivering a hefty 85 watts into 4 ohms. Indeed, the Twin is considered by many to be the ultimate pedal platform. With the Twin Reverb reissue, you can use your pedalboard to sculpt your tone — precisely, predictably, and at any volume.
The avatar of clean
The Twin Reverb has earned a reputation through the decades as the hardest working amp in show business. From its introduction in 1963, it has appeared on countless iconic recordings. By way of endorsement, tone purist Eric Johnson relies on his vintage '68 Silverface Twin (which still incorporated Blackface circuitry) for his clean rhythm guitar sound (switching to a vintage Plexi for dirty rhythm and leads). Over half a century later, the Fender Twin Reverb is still going strong.
We capture these profiles in Studio A’s Vocal booth. With a mix of Microphones from Neumann U87, AKG 414 Gold face, Unidyne SM57, Shure SM57, Royer r121, Sennheiser 421 and 609, and more. Going into Neve 1073 & 8108, GML 2032, API 512 Preamps!
The Fender Twin Reverb. Legendary tube tone
Legendary tube tone with an unmistakable vintage vibe. Fender manufactured the Blackface Twin Reverb amp from 1963 to 1967. From its venerable 85-watt AB763 quad-6L6 circuit to its inimitable spring reverb and tremolo, Jensen speakers, and tilt-back legs, the Fender Twin Reverb is every inch a classic, veritable cornerstone of modern American music.
Possibly the perfect pedal platform
With four Groove Tube 6L6 power tubes in the engine room, the Fender Twin Reverb supplies copious clean headroom, delivering a hefty 85 watts into 4 ohms. Indeed, the Twin is considered by many to be the ultimate pedal platform. With the Twin Reverb reissue, you can use your pedalboard to sculpt your tone — precisely, predictably, and at any volume.
The avatar of clean
The Twin Reverb has earned a reputation through the decades as the hardest working amp in show business. From its introduction in 1963, it has appeared on countless iconic recordings. By way of endorsement, tone purist Eric Johnson relies on his vintage '68 Silverface Twin (which still incorporated Blackface circuitry) for his clean rhythm guitar sound (switching to a vintage Plexi for dirty rhythm and leads). Over half a century later, the Fender Twin Reverb is still going strong.
We capture these profiles in Studio A’s Vocal booth. With a mix of Microphones from Neumann U87, AKG 414 Gold face, Unidyne SM57, Shure SM57, Royer r121, Sennheiser 421 and 609, and more. Going into Neve 1073 & 8108, GML 2032, API 512 Preamps!